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|  Abstract Expressionist |  New York School | Accademia di Belle Arti di Roma

Biography

Vincent Pepi (1926–2020) was an American painter whose lyrical abstraction bridged the spontaneous energy of the New York School with the disciplined structure of European modernism. A lifelong explorer of color, gesture, and rhythm, Pepi’s work stands as a synthesis of movement and thought — a dialogue between freedom and order that defined his six-decade career.

Born in Boston, Massachusetts, but later moved to New York City with his family, Pepi trained at Cooper Union and the Pratt Institute, where he absorbed the academic principles of drawing and composition that would underpin his later abstraction. 

 

His early studies cultivated a respect for form and balance that remained visible throughout his evolving visual language. In the late 1940s, Pepi studied with Hans Hofmann, whose teachings on color dynamics and spatial tension profoundly shaped his sensibility. Under Hofmann’s guidance, Pepi embraced the physical act of painting as an expressive event, learning to see gesture not as accident but as structure. The “push-pull” of color — Hofmann’s hallmark theory became a foundation for Pepi’s approach to emotional rhythm on the canvas. 

 

Seeking broader horizons, Pepi traveled extensively through Mexico, North Africa, and Italy, ultimately enrolling at the Accademia di Belle Arti di Roma. In Rome, he immersed himself in the European modernist lineage of Cézanne and Kandinsky, absorbing lessons of compositional architecture and the spiritual resonance of 

abstraction. The result was a unique hybrid voice: the chromatic vigor of the New York avant-garde tempered by the structural clarity of Italian painting. 

 

Upon returning to New York in the mid-1950s, Pepi became associated with the New York School circle that included de Kooning, Pollock, Kline, and Motherwell. However, unlike many of his contemporaries, he chose smaller formats as his preferred field — creating intimate, concentrated explorations of motion and emotion. His canvases from this period pulse with kinetic intensity, while remaining grounded in an underlying geometry that reflects his classical training. Throughout the ensuing decades, Pepi continued to paint prolifically, refining a distinctive vocabulary of lyrical abstraction. His works reveal a meditative understanding of rhythm — color and gesture as musical intervals,

balanced between intuition and control. Critics have described his paintings as “chromatic improvisations of thought and emotion,” embodying the freedom of action painting within the quiet precision of design. 

 

Pepi’s art has been exhibited in galleries and institutions across the United States and abroad, including Quogue Gallery (New York), and is held in significant private and public collections. He lived and painted on the East End of Long Island for many years, a region whose light and atmosphere infused his later work with serenity and luminosity. Today, Vincent Pepi’s paintings stand as a testament to the interplay between American abstraction and European sensibility — an artist whose legacy invites rediscovery as one of the lyrical voices of post-war modernism.

Selected Education: Cooper Union, New York City | Pratt Institute, Brooklyn | Hans Hofmann School, New York | Accademia di Belle Arti di Roma, Italy

Chronology & Biographical Timeline

1926 – Born June 25 in Boston, MA to Italian-American parents.

1930 – Moved to New York City; early interest in art and music.

1940 – Attended The High School of Music & Art, NYC.

1946 – Enrolled at Cooper Union and Pratt Institute.

1948 – Studied under Hans Hofmann; began exploring gestural abstraction.

1949 – Moved to Rome; studied at the Accademia di Belle Arti di Roma

where he studied with Beppe Guzzi.

1953 – Exhibited at Stable Gallery; active with the New York School.

1960 – Developed smaller-format, lyrical abstractions.

1975 – Moved permanently to Long Island’s East End.

1989 – Exhibited at Lowe Art Museum, Miami.

1996 – Retrospective at Paul W. Zuccaire Gallery, Stony Brook University.

2016 – Major retrospective at Quogue Gallery, NY.

2020 – Passed away March 12, Long Island, NY.

2026 – Centennial year of birth; retrospective celebration in planning.

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Tribeca Series 1999   Oil on canvas, mixed media 45 x 52"

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